Bozar in Brussels is presenting an exhibition with works by Swedish artists who are inspired by the spiritual and the occult, such as Hilma af Klint
Swedish Ecstasy: Hilma af Klint, August Strindberg and other visionaries, on view from February 17 through May 21, 2023.

From January till July 2023, Sweden is holding the Presidency of the Council of the European Union. At this occasion and in partnership with the Nationalmuseum Stockholm, Bozar in Brussels presents the ambitious exhibition project Swedish Ecstasy: Hilma af Klint, August Strindberg and other visionaries. The exhibition is curated by Daniel Birnbaum and will be on view from February 17 through May 21, 2023.
Sweden is often applauded for its pragmatism, great engineers and entrepreneurs. But there is an important yet lesser known aspect of the nation’s spiritual life, visible in its art and literature. Bozar in Brussels is therefore staging an exhibition that brings together a number of figureheads from the Swedish art scene. Mysticism and esoteric speculation runs like a read thread through their work.
In Swedish Ecstasy: Hilma af Klint, August Strindberg and other visionaries, curator Daniel Birnbaum has collected works by Swedish artists who are inspired by the spiritual and the occult. The figurehead of this movement was Hilma af Klint (1862-1944), a pioneer of abstract art. Many of her creations originated from artistic séances with likeminded female artists. Her work has only received recognition in the art world in recent years and will now be exhibited in Brussels for the first time, along with contemporaries and present-day artists.
Bozar will be showing work by some of the country’s most important literary figures, from the 18th-century Emanuel Swedenborg to the turn of the 20th century with August Strindberg, who is known as a writer but who also created wonderful drawings and paintings. In the same period, we find visual art by visionaries such as C.F. Hill, Ernst Josephson and Hilma af Klint.
Up to this day, these visions continue to inspire contemporary artists like Carsten Höller, Christine Ödlund, Daniel Youssef and Cecilia Edefalk.
Part of the exhibition is the VR experience, Hilma af Klint - The Temple. Hilma af Klint designed a spiral temple in which her most important works were to be placed. The ambitious project was never completed but is now finally brought to life in digital form.
Practical information
Swedish Ecstasy |
Hilma af Klint, August Strindberg and other visionaries |
17 Feb. → 21 May'23 |
Bozar, Centre for Fine Arts |
Press File
20211018_Dossier_Sweden_GB.pdf
PDF 1.1 MB
Press contact
Micha Pycke
Club Paradis
micha@clubparadis.be
+32 (0)486 680 070
Images
All images can be found here
Hilma af Klint, Primordial Chaos, The WU/Rose Series, Group 1, No 14, 1906-1907, oil on canvas, HaK 14. By courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm, Sweden.
Hilma af Klint, The Swan, The SUW Series, Group IX, No.2, 1914, oil on canvas, HaK 150. By courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm, Sweden.
Hilma af Klint, Altarpiece, Group X, no.1, 1915, oil and metal leaf on canvas, HaK 187. By courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm, Sweden.
The Five, Spiritualistic drawing, 1908, pencil on paper, HaK 1472. By courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm, Sweden.
Anna Cassel, No. 7, 1913, oil on canvas By courtesy of the Hilma af Klint Foundation. © Anders Fredriksén
August Strindberg, Wonderland, Sign. 1894, oil on paperboard Nationalmuseum, Stockholm, Gift of Karl Otto, Elisabeth, Pontus, Eva och Åke Bonnier 1992 © Erik Cornelius / Nationalmuseum 2008
August Strindberg, Sunset, Sign. 1892, oil on canvas Nationalmuseum, Stockholm © Hans Thorwid / Nationalmuseum
Carl Fredrik Hill, Figures on Golden Ground. Composition from his Illness, gold, silver and oil on cardboard, Nationalmuseum, Stockholm © Erik Cornelius / Nationalmuseum 2010
Carl Fredrik Hill, The Last Human Beings, oil on cardboard mounted on masonite Nationalmuseum, Stockholm, Gift 1971 from the Friends of the Nationalmuseum © Åsa Lundén / Nationalmuseum 1994
Ernst Josephson, Portrait of a Lady, oil on canvas Nationalmuseum, Stockholm, Gift of Friends of Art through Richard Bergh 1915 © Nationalmuseum
Cecilia Edefalk, White Whitin (4), 1998-2008, acrylic and oil on canvas Courtesy the artist and carlier | gebauer, Berlin / Madrid
Swedenborg’s flying machine, From Diarii Spiritualis. Pars Quarta Sive Diarium Minus, Pars Sexta and Pars Septima Editor : Dr Jo. Fr. Im. Tafel Dates: 1843, 1845 & 1846 Language: Latin Collection Swedenborg House, London
Cecilia Edefalk, The Bee Girl, 1988, oil on linen Ståhl Collection Photo: John Sandlund
Installation view: Light Wall, MAC Galeries Contemporaines des Musées de Marseille, Marseille, 2002 Courtesy of the artist © Carsten Höller Photo credit: Attilio Maranzano
Christine Ödlund, Psychedelic Botanist IV (Emanuel Swedenborg), 2022, ink, pen, plantpigment and watercolour on paper Courtesy CF HILL
Ernst Josephson, Ecstatic Heads, oil on wooden panel Nationalmuseum, Stockholm, Gift of Friends of Art through Richard Bergh 1915 © Erik Cornelius / Nationalmuseum 2008
Carl Fredrik Hill, The Blossoming Fruit Tree in the Cave, made after 1878, black chalk on paper Nationalmuseum, Stockholm, Purchase 2010 Sara and Johan Emil Graumann Fund © Per-Åke Persson / Nationalmuseum